COLOURS OF PAIN is available NOW via Massacre Records as Limited Red Vinyl, CD Digipak and on all digital channels.
Tracklist:
- Ashes (watch lyric-video on YouTube)
- Colours of Pain (watch official video on YouTube)
- Mindvirus
- Heretics
- A New Dark Age
- Death Machine
- Winds of Oblivion
- Resist (watch lyric-video on YouTube)
“COLOURS OF PAIN” was once again recorded & produced at Mastersound Studio with Alexander Krull, with guitars and bass recorded at the bands own BLDRD Studios. Mix and Mastering was done by Alex.
On the drums we welcome back Joris Nijenhuis who is once again providing texture and his precise rhythm to the album. And for the first time ever there’s a guest on this record: Þráinn Árni Baldvinsson of Skálmöld has contributed a blistering guitar solo for the song “Mindvirus”. And if you listen closely, you might hear Alex growling somewhere in the background for the first time too …
The artwork was designed by Stefan Heilemann (Heilemania). This time, we deliberately chose a motif that is both striking and haunting. At first glance, it may not be typical of the genre, but that’s exactly the point: to be nonconformist. And at the same time, it should also be eye-catching and provocative.
Find a list of all available reviews for COLOURS OF PAIN here.
There’s also Merch (T-Shirts & Hoodie) available now in our store.
Videos
The video for the title track represents the lyrics in an impressive way: raw and visually powerful, the different “Colours of Pain” are symbolically translated, painting a vivid picture of inner struggles and turmoil.
The video was shot and directed by Alexander Krull, based on a concept created by Ron and Alex.
“Resist“: This time, the message is deliberately not subtle. Just a clear statement: there are still far too many women in this world who live under oppression, who are t*rtured or even worse. And you do not have to look far away to see how the machinery of patriarchy keeps shaping everyday life, laws, and violence in many countries, in many forms. This song is not about religion as an idea. It is about calling out the systems and “traditions” that protect cruelty and normalize inequality.
And this is the final video for the album:
Album Reviews
Musika.be (91/100) calls the album “a strong mix of aggression, menace, coldness, and darkness,” and sums it up as “a highly enjoyable and captivating album” they expect to return to often. (Link)
Metal Temple (9/10): Metal Temple is highly enthusiastic about Colours Of Pain, calling the songwriting outstanding from start to finish and stressing that the album delivers without any weak spots. The review particularly celebrates the addictive riff construction, the controlled yet tangible tension and intensity, and the fact that the record invites repeated listens well beyond first expectations. (Link)
Deadrethoric.com (8.5/10): Colours of Pain “traverse broader levels of atmosphere,” delivers the “right balance between dark growls and scathing screams,” proves Bloodred have “outdone themselves,” and aims to “rally their following to promote change.” (Link)
METALHEADs new stuff (8,5/10): Portrays the album as uncompromising and emotionally charged, channeling “rage, pain, and resistance” into a harsh, unrelenting sound that’s repeatedly cut through by melodic accents for added depth. (Link)
Big thanks to Metal1.info for the 8.5/10 review of Colours Of Pain. They praise the album’s “extraordinarily dense riffing,” its “highly melodic” and subtly progressive edge, plus the “wall of diverse melody layers” (and even “subtle choirs”) on “Winds Of Oblivion,” calling the songwriting agile, punchy, and full of “charming curiosity.” (Link)
Moshpit Passion (8.5/10): Calls COLOURS OF PAIN a strong blackened death metal album that convinces both technically and atmospherically, pushing high intensity over ~45 minutes while still delivering standout mood-building moments and a ruthless finish. (Link)
Crossfire Metal (8.5/10): Praises the dark, moody blackened death sound with strong guitar work, natural-sounding drums, tasteful atmospheric keys, and “frosty” riffs that lean into black metal without losing originality or punch. (Link)
Powermetal.de (8/10) praises Ron Merz’s strong one-man vision (with Joris Nijenhuis on guest drums) and highlights the album’s darker, more Black Metal-driven direction, carried by epic, monumental arrangements and sharp contrasts. The finale with “Winds Of Oblivion” and “Resist” is singled out as especially powerful, and the record is recommended as a worthy follow-up to previous releases. (Link)
Heavymetal.dk (8/10) paints Colours of Pain as “an expressionistic, intense portrait of our time’s distortions,” highlighting “Resist” as the record’s most direct political statement and calling the whole release “solid, with an identity of its own.” (Link)
Arrow Lords of Metal (8,4/10): Colours Of Pain is presented as a dark, atmospheric and remarkably well-crafted blackened death metal album with a crystal-clear production, strong dynamics and enough variety to keep the entire record gripping from start to finish. The review especially appreciates the album’s increasingly epic and doom-tinged closing stretch, underlining how effortlessly Bloodred combines intensity, atmosphere and songwriting depth. (Link)
Rock Hard (8/10): Rock Hard rated Colours Of Pain 8/10, praising Ron Merz’ “solo” vision, the album’s “diverse compositions,” and Joris Nijenhuis’ punchy drive with occasional blastbeats. (Link)
FFM ROCK (8.2/10): FFM ROCK scored it 8.2/10, praising the strong atmosphere and constant shifts from black-metal bite to detailed mid-tempo death, with plenty of variety across the tracklist. (Link)
Metal Division Magazine (8/10): Metal Division Magazine rated it 8/10, applauding the added cinematic atmosphere and dynamics plus a modern, precise-yet-wrecking Alexander Krull production. (Link)
Metal Factory (8.0/10): Notes the album’s broader appeal to extreme metal listeners and a clear evolution toward darker, more dynamic atmospheres, backed by impactful performances, a guest solo on “Mindvirus,” and a clean, powerful production. (Link)
Musipedia Of Metal (8/10): Frames COLOURS OF PAIN as a singular-vision record that turns blackened death metal into a personal, uncomfortable statement on the world in 2026, culminating in “a document of defiance.” (Link)
Myth of Rock (8/10): Myth of Rock gave it 8/10, spotlighting the balance of aggression and atmosphere and the album’s dark, epic pull across its strongest moments. (Link)
Metalhead.it (8/10): Metalhead sees Colours Of Pain as a bold and convincing step forward for Bloodred, showing a band that continues to evolve while keeping a strong and recognizable identity. The review highlights the album’s unusual stylistic blend, the orchestral and martial character of “Winds Of Oblivion,” and the furious finale “Resist,” framing the record as a courageous and coherent release. (Link)
Kronos Mortus (8/10): Kronos Mortus presents Colours Of Pain as Bloodred’s most mature and multifaceted work to date, pairing relentless blackened death metal foundations with a darker, more atmospheric and more dynamic approach. The review points to the powerful impact of songs like “Ashes” and “Mindvirus,” praises the guest solo contribution, and underlines the album’s strong thematic focus and overall sense of musical development. (Link)
Zephyrs Odem (7.9/10): Highlights the album’s balance of sheer aggression and a matured, darker atmosphere, with repeat listens revealing more hooks, details, and arrangement nuances beneath the force. (Link)
Soil Chronicles (7,5/10): Soil Chronicles describes Colours Of Pain as a surprisingly gripping and accessible album that works both as an exciting introduction to the genre and as a rewarding listen in its own right. The review singles out the memorable riffs, the precise and effective drumming, the strong balance between aggression and musicality, the atmospheric guest solo in “Mindvirus,” and the introspective weight of “A New Dark Age.” (Link)
Riff Vault (4/5): Describes eight tracks of “tightly wound extremity,” calling it BLOODRED’s most personal and precise release, mapping grief and fury into a record that “earns every decibel.” (Link)
Heavy Metal Darkness (7,5/10): Heavy Metal Darkness presents Colours Of Pain as a fierce and fully satisfying blackened death metal assault packed with ripping guitars, thunderous drumming and massive production power. The review highlights the balance of punishing mid-tempo heaviness, blast-beat aggression, dark atmosphere and the standout guest solo in “Mindvirus,” concluding that the album absolutely delivers for fans of extreme metal. (Link)
Spielemagazin.de (73%) describes Colours of Pain as “professional, modern, and powerful,” praising its huge, clear production and the way it expands Bloodred’s blackened-death core with more atmosphere, dynamics, and emotional weight. (Link)
AMMO Supports the Underground (7/10): AMMO portrays Colours Of Pain as a powerful and highly cohesive album that plays to Bloodred’s strengths with confidence, precision and clarity. The review praises the sharp riffing, the massive and modern production, the strong internal dynamics and the album’s immediate impact, emphasizing that its consistency and stylistic focus make it a very solid and convincing listen. (Link)
Heavy Music HQ (3.5/5): Heavy Music HQ rated it 3.5/5, highlighting how it moves between blastbeat black metal and groovy, mid-tempo death metal with varied vocals and dark, socially charged lyrics. (Link)
Metal Hammer (4/7): Metal Hammer’s 4/7 verdict frames the album as Amon Amarth-adjacent at its core, but “rougher” and “rawer,” with filigreed guitar work and mostly high tempo. (Link)
Metal Territory (3/5): Metal Territory gave Colours Of Pain 3/5, calling it modern extreme metal that stays accessible and grows with repeat listens as its highlights and variety come through. (Link)
Metal Addicts: Metal Addicts praises a more mature Bloodred, saying the “nightmare” is turned into “very exciting” music and that each track feels like its own story. (Link)
HellHeaven: HellHeaven calls Colours Of Pain a real statement with “muscular” production, describing eight songs that hit like a sonic bulldozer with maximum intensity. (Link)
Metal-Heads.de: Metal-Heads.de recommends it for its layered songwriting, dense atmosphere, and the way it blends blackened intensity with heavy mid-tempo weight. (Link)
Heavy Debriefings: Heavy Debriefings gives a thumbs up, describing Colours Of Pain as immense and atmospheric blackened death metal packed with aggressive riffs, blast beats, and lyrical indignation. (Link)
Skulls and Bones Magazine describes Colours Of Pain as “heavier, darker” and more dynamic, atmospheric outing, blending haunting melodies with crushing mid-tempo weight and blast-driven attacks, framed as the band’s most diverse and emotional work yet. (Link)
Metal En Tu Idioma: Metal En Tu Idioma frames Colours Of Pain as a forceful and cohesive statement that showcases Bloodred’s artistic growth, compositional substance and emotional depth. The review emphasizes the album’s clarity of production, cutting riffs, dense atmospheres, dynamic arrangements and the impressive way it balances sheer metallic power with introspection and structural sophistication. (Link)